Cary-Ibarra

“Una tercera parte de la riqueza del mundo está en la cabeza de la gente”

1 087 notas &

thedsgnblog:

STITX    |    http://indiegogo.com/projects/stitx

Busy lifestyles, rising costs of space, everyone’s working on-the-go and there simply isn’t enough room! Yet keys, wallets, phones and other essentials need a “home” when they’re out of your pockets. That’s why we designed STITX- A stick-on organizer for your belongings and gadgets necessary for work on-the-go, bringing you convenience by sitting snugly at the back of your laptop, reducing the clutter of things on the already-tiny workspaces. 

Made of 100% Wool Felt, Suede, Re-constituted Leather and Acrylic Canvas, the materials of STITX are laser cut to their precise dimensions before gluing and stitching them together. Every STITX is made with utmost care and dedication as we manually cut, stamp and secure all the embellishments, which are made of 100% calf leather. Also, STITX is stuck on using a special adhesive that allows repositioning of the product and leaves no residue after removal from your laptop.

With crowdfunding, we will be able to make STITX a reality. - If you’re interested in funding this awesome campaign, visit this link!

STITX is designed by JACI Jia Ying Chew, Albert Lee & Corina Tan. We’re Industrial Design majors at the National University of Singapore. 

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25 603 notas &

shinyslingback:

Spectrum of Colors Revealed Through Lit String

British artist, physicist, and all-around science enthusiast Paul Friedlander produces kinetic light sculptures that provide a colorful feast for the eyes. Each piece in his body of work offers a visual medley of light and motion by rapidly rotating a piece of string through white light. The vibrating rope becomes invisible to the human eye, but colors from the light (which would normally be invisible to the naked eye) are revealed in rapid succession.

The scientific artist gives insight into the history of his career shift into the arts and explains the science in it all: “I decided to focus on kinetic art: a subject in which I could bring together my divided background and combine my knowledge of physics with my love of light. In 1983, at London’s ICA, I exhibited the first sculptures to use chromastrobic light, a discovery I had made the previous year. Chromastrobic light changes color faster than the eye can see, causing the appearance of rapidly moving forms to mutate in the most remarkable ways.”

http://www.mymodernmet.com/profiles/blogs/paul-friedlander-kinetic-light-sculptures